16 August 2013 More than 50 000 tickets for the Nelson Mandela Sport and Culture Day, taking place at Johannesburg’s FNB Stadium on Saturday, have been sold already. South Africans who will be attending the event will have the pleasure of watching both the national rugby and football teams playing against international teams on the same day at the same venue. Bafana Bafana will take on Burkina Faso, while the Springboks will play Argentina. The matches will be preceded by a match between South Africa’s and Italy’s soccer legends, and followed by a music concert featuring top local and international artists.‘An opportunity to unite’ Addressing the media at the venue on Thursday, Sports Minister Fikile Mbalula called on South Africans to come in large numbers to attend the event, which is being held as part of the celebrations of Nelson Mandela’s 95th birthday. “It is a moment we must cherish as a nation. Think about what former president Nelson Mandela has done for the country. Rugby and football gives us as a nation an opportunity to unite,” Mbalula said. Brand South Africa CEO Miller Matola echoed Mbalula’s call, saying Bafana Bafana and the Springboks would “have all 50-million of us behind them in their pursuit of victory on the sports field. “Sport is a great unifier of people and of nations. We must use the opportunity of the Nelson Mandela Sport and Culture Day to celebrate our oneness as a nation while flying the flag for our country,” Matola said in a statement on Thursday. “This will also be a fitting testament to the icon in whose name we play this challenge. One of the Tata Mandela’s enduring legacies is his unwavering patriotism and commitment to a South Africa that is a winning nation. This must inspire each of us as citizens of this great nation.”Transport, parking, tickets, security Passenger Rail Agency of South Africa CEO Lucky Montana announced on Thursday that fans who will be attending the event will be transported free if they produce their tickets. According to Montana, provision has been made to transport more than 40 000 passengers. To ensure safety and smooth operation of the event, strict traffic control and security measures will be in place in and around the stadium from 6am to 11pm. Members of the public will not be allowed to park at the stadium without pre-paid Computicket parking tickets. Parking is limited, and people are encouraged to arrive early as well as use a single vehicle. Gates will be opened as early as 7am, and unreserved pre-paid public parking tickets at a cost of R20 per vehicle are available from Computicket. Patrick Ronan, risk adviser for the event, said all security measures were in place. He said 600 police officers and 1 200 private security personnel would be deployed in and around the stadium. He urged people to purchase tickets at Computicket as there would be no tickets sold at the venue. The football match between the South Africa Masters and Italy Masters will take place at 10:30am, the match between Bafana Bafana and Burkina Faso will take place at 1:30pm, while the rugby match between the Springboks and Argentina will take place at 5pm. The music concert will kick off at 7pm. Artists who will be performing at the event include David Jenkins, the Mahotella Queens, Umoja, Gcina Mhlophe, DJ Alessandro, Wouter Kellerman, Naima Mclean, Elvis Blue and 1st Project. The proceeds will go towards building the Nelson Mandela Children’s Hospital. SAnews.gov.za, with additional reporting by SAinfo
Ready to master Final Cut Pro X? Dive into this exhaustive tutorial series by Vimeo Video School that covers everything you need to know about FCPX.Final Cut Pro 7 released in 2009 to wide acclaim and support from the editing community. Apple stopped support for the NLE only one year later and released Final Cut Pro X a year after that. With the release of FCPX, editors and professionals all over the world panned the software. Many felt it was too limiting and too “dumbed” down. Now, four years and 12 updates later, FCPX has become a fully legit NLE that’s used to edit big budget motion pictures like the recently released Focus, starring Will Smith.For a broader view of the differences between Final Cut Pro 7 and FCPX and a look at why editors should consider FCPX, check out this article from Larry Jordan.With all of his firmly in mind, Vimeo Video School developed an in-depth series of tutorials for FCPX from starting a new project to exporting that project for distribution. Let’s get started and learn how to master FCPX.1. Final Cut Pro X IntroductionIn this first tutorial, we get a formal introduction to FCPX and the question is posed to us, “Ready to conquer the complex world of film editing?” Yes. Yes, we are. Let’s get going. 16. Working with StillsDo you have still photos that you need to add to your project? Well, in this episode we learn how to crop, trim and add the always popular Ken Burns effect to our images. 8. Working with MarkersWe’ve browsed our media and we’ve dropped footage into the timeline. Now let’s drop some markers. Markers can be used to add notes, reminders, and chapter separations in order to further streamline the process. 4. Analyzing Your MediaSo, we’ve imported our footage and we’re ready to start editing. However, let’s take a minute to analyze the footage and add meta data and keywords to our clips to help streamline the editing process. 5. Managing Your MediaWe have our footage imported and now it has meta data and keywords attached. Now we need to organize all of this by compiling clips into libraries, events, and projects. This will help create Smart Collections, thus making it easier to add and search for footage later on. 14. Utilizing Visual EffectsYour transitions are added and you’re ready to add the final finishing touches to your project. Here we’ll learn how to jump back and forth between the effects browser and inspector to adjust color presets and how to use the keyer effect. 6. Understanding Playback and SkimmingAll of our meta data and keywords are added and our Smart Collections are definitely making things easier. Now were ready to review some of that footage. So, in this episode we’ll learn about playback and skimming. Want more content covering Final Cut Pro X? Check out these articles from PremiumBeat.How to Integrate FCPX Into Logic Pro X10 Must-Have Final Cut Pro X PluginsThe New Final Cut Pro X Update Brings 3D Text and MoreAre you a new Final Cut Pro X user? Did these tutorials help you learn the software? Let us know in the comments below. 2. Learning the InterfaceNext up, we get a lay of the land and learn everything we need to know about the interface. From the available tools to the streamline functionality, Vimeo gets us ready to tackle any job. 15. Adding TextWe’re getting ever closer to exporting our project, but now we need to know how to add text or a title for the project. In this episode we learn everything we need to know about creating titles, captions, and credits inside FCPX. 13. Using TransitionsWe have all of our footage, audio, music, and sound fx in our timeline. However, all of our cuts are harsh. Let’s learn how to browse through transition options and make moving from one clip to another smooth and easier to watch. 12. Adding Music and SoundYour project is coming together and we have a nice timeline going, but it’s missing something: music and sound. In this episode we learn how to add music, sound effects, record voiceover, and import projects from GarageBand and Logic Pro X. 3. Importing MediaNow that we have a basic introduction and we know the ins and outs of the interface, we’re ready to get started. In this episode, we learn how to properly and easily import our footage for editing. 9. Editing AudioSo you have your footage inserted into your timeline and you’ve begun your edit. However, we can’t forget about audio. So, in this episode we learn how to mute, solo, fade, and adjust the levels of our audio. 10. Editing Video in the InspectorOur clips are in the timeline and our audio levels are good to go, so let’s look at the abilities of the inspector. In the inspector we can adjust effects, add keyframes, rotate or crop our clips, as well as adjust the size and color correct. 7. Starting Your EditNow that you know how to review, playback, and skim through your footage, let’s start dropping it into the timeline. In this episode we’ll learn the process of starting our edit and how to use the timeline effectively. 17. Exporting and Uploading to VimeoWe have finalized our edit and it’s ready to be distributed to the masses. In this final episode we learn how to export our project easily and get it uploaded to Vimeo within a matter of minutes. 11. Editing Audio in the InspectorNow that we know how to edit and adjust our clips in the inspector, let’s look at doing the same for our audio. In this episode we learn that you can do just that. Auto-enhance your audio, apply presets, and make manual adjustments.
OSU freshman forward Maddy Field (22) fights for the puck during a game against Minnesota State on Oct. 23 at the Schottenstein Center. OSU won 5-3.Credit: Courtesy of OSUIn the final weekend of matchups of the regular season, the Ohio State women’s ice hockey team (10-23-1, 6-21-1) split its series with the No. 9-ranked University of North Dakota (16-11-5, 13-10-5).OSU showcased the strides it has made this season as it beat the Fighting Hawks 3-1 on Friday before falling 3-2 in a tight contest a day later.On Friday, after an extremely competitive first period, the Buckeyes and Fighting Hawks were tied 0-0. Despite 17 combined shots from both teams, neither OSU nor North Dakota was able to find the back of the net.However, that turned around 16:51 into the second period, as OSU got on the board off a goal from freshman forward Maddy Field. Sophomore defenseman Dani Sadek then doubled the Buckeyes’ lead less than three minutes later.In the third period, North Dakota’s Meghan Dufault knocked the puck past OSU goalie Alex LaMere to cut the Buckeyes lead in half with a little more than three minutes to play. The Fighting Hawks pulled their goalie in an attempt to find the equalizer, but that alllowed OSU junior Claudia Kepler to score with four seconds remaining on an open nut to seal the 3-1 result.In Saturday’s senior day affair, OSU jumped out to its fastest start of the season with two goals in the first three minutes. Junior Alexa Ranahan and sophomore Lauren Spring scored the goals for the Scarlet and Gray, with Ranahan’s being her first of the season. However, North Dakota answered with a goal with less than three minutes left in the first period — a sign of things to come in the contest.In the second period, North Dakota was able to get two shots past redshirt senior goalkeeper Stacy Danczak, who got the start in her final game at OSU. Becca Kohler and Dufault scored the two goals for the Fighting Hawks. Neither team was able to score in the third, as the game culminated in a 3-2 final score.After the game, seven senior Buckeyes — Danczak, Melani Moylan, Julia McKinnon, Kendall Curtis, Cara Zubko, Maggie Rothgery and Bryanna Neuwald — were honored at center ice in recognition for their time wearing scarlet and gray.Both games were close contests, and OSU assistant coach Carson Duggan said she thinks the second game was decided by a few more positive plays for North Dakota.“Those are two evenly matched teams and it was just they executed one more time than we did,” Duggan said. “I think we had our chances and we battled hard. We came out with a lot of energy and it’s an emotional day for a lot of kids, but I think that was the only difference is that they executed one more time than we did.”Field, however, offered a different explanation for Saturday’s defeat, citing the referees as an issue in the second game and the way the team let the officials’ calls affect their play.“Obviously you can’t blame it on the reffing, but I think the reffing kind of let the game get out of control,” she said. “We had a really good start but I think we let the reffing get in our head and we let a weak goal in.”The team was only able to score on one of eight power plays over the weekend, which is something they will look to improve upon in their first-round playoff series against Minnesota next weekend.“I think that we won a lot of our battles and we were getting shots at the net,” Field said. “I think we need to work on capitalizing on power plays but I think we did really well penalty killing.”Duggan said she thinks the team’s drive and tenacity will be keys to the playoff games next weekend.“I think just leaving it out there. At this point in the season it’s who wants it more and how bad do you want it and what are you willing to do to get it, and I think our girls showed a lot of character and a lot of heart this weekend,” Duggan said. “We have a short bench, and the girls battled hard, as a coach that’s all you can ask for. So I think just taking that mentality and why not let’s see what we can do in Minnesota.”OSU is scheduled to travel to Minnesota next weekend to take on the Golden Gophers in the first round of the Western Collegiate Hockey Association playoffs. The puck is set to drop in Minneapolis on 8:07 p.m. on Friday and 5:07 p.m. on Saturday. If Friday’s and Saturday’s games are split, there will be a deciding game on Sunday.
Liverpool must be cautious against a Roma side that are capable of defeating the likes of Barcelona in the Champions League, warns Claudio RanieriJurgen Klopp’s side will be hosting the Giallorossi at Anfield for the first leg of their semi-final clash in the Champions League with both clubs aiming for a place in the final of the competition at Kiev against either Real Madrid or Bayern Munich.Liverpool impressed many pundits with their convincing 5-1 aggregate win over Manchester City in the quarter-finals of the competition, while Roma left the football world stunned with their shocking comeback win against Barcelona secured them their first semi-final appearance in the Champions League since the 1983/84 season.Ranieri, who is renown for guiding Leicester City to a shock Premier League title victory in 2016, told Gazzetta dello Sport that he believes that Roma will prove themselves to be a difficult challenge for Liverpool.Report: Origi cause Klopp injury concerns George Patchias – September 14, 2019 Divock Origi injury in today’s game against Newcastle is a cause for concern for Jurgen Klopp.Perhaps with one eye on Tuesday’s trip to Italy…“As a manager I never think I can face defeat before I play. [Eusebio] Di Francesco [the current Roma manager] will study Liverpool.” said Ranieri, according to The Sport Review.“They are not beaten yet, the Roma side that we admired against Barcelona can make it.“The Reds are spectacular but away from home they aren’t always solid.”
Belgium captain Eden Hazard is confident that his side’s “Golden Generation” will fulfil their promised potential unlike that of England’s who failed to deliver on the big stageBelgium enters the World Cup this summer as one of the dark horses to overcome the likes of Germany, Brazil and Spain to claim glory in world football’s biggest stage.Hazard, along with the likes of Kevin De Bruyne, Romelu Lukaku and Thibaut Courtois, is confident that he is part of a new “Golden Generation” and is certain that Belgium can do what England’s previous stars failed to do this summer.Zidane hails ‘quality’ James Rodriguez after Real Madrid’s win Andrew Smyth – September 14, 2019 Zinedine Zidane reserved special praise for James Rodriguez after his starring role in Real Madrid’s 3-2 win over Levante.In the 2000’s, England had the likes of David Beckham, Frank Lampard, Rio Ferdinand, Michael Owen and Steven Gerrard at the peak of their abilities and yet they disappointed by only reaching the quarter-finals in three major tournaments.“The golden generation you had in England, 10 years or 15 years ago, won nothing. Now I think the fans, journalists, all of Belgium, the country just want to win something. We have a golden generation,” said Hazard, according to FirstPost.Hazard and Belgium will begin their World Cup campaign against Panama on June 18, before facing England in their third and final Group G game on June 28.
Sam Allardyce believes that he should still be the England manager and admitted that he is feeling jealous over their recent success in his absenceThe 63-year-old was infamously fired from the role as head coach of the national side in September 2016, despite having only been in charge for one game in a last-gasp 1-0 victory away to Slovakia.Allardyce’s spell of 67 days in charge was the shortest of any England manager.In a BBC documentary called “Managing England: The Impossible Job”, the former Everton boss reflected on his controversial exit from England.“Jealousy is what I feel. Massively disappointed. That should be me there. Unfortunately because of the circumstances that wasn’t the case,” said Allardyce, according to The Sack Race.Crouch: Liverpool could beat Man United to Jadon Sancho Andrew Smyth – September 14, 2019 Peter Crouch wouldn’t be surprised to see Jadon Sancho end up at Liverpool one day instead of his long-term pursuers Manchester United.“One night I was playing golf – next day they said you can’t carry on. And I still don’t know why… because in the cold light of day, there was no substance, nothing behind it.“If a bit more time was taken, a bit more patience, I believe I should still be the England manager.“I’ve bounced back now – and while I will be extremely jealous I will be watching Gareth and the lads and hope they do extremely well.”Despite having guided Everton to a top 10 finish in the Premier League last season, Allardyce was fired by the board and replaced by Marco Silva.
FacebookTwitter Fire injures man at Ballast Point Brewing Co. in Miramar April 7, 2018 Updated: 1:08 PM Categories: Local San Diego News KUSI Newsroom Posted: April 7, 2018 KUSI Newsroom, SAN DIEGO (KUSI) – A flash fire at the Ballast Point Brewing Company kitchen in Miramar sent one person to a hospital today.Just after 9 a.m., firefighters were alerted to a kitchen fire at the brewpub, in the 9000 block of Carroll Way, San Diego Fire-Rescue Department spokesperson Monica Munoz said.A man in his 40s had to be taken to a hospital for burns, though they were not considered severe, Munoz said. No one else was injured.The brewery announced on social media that it will be closed all day today and open for normal business hours Sunday.The San Diego County Department of Environmental Health will need to be called in to inspect fire safety equipment that was used by the restaurant before it can re-open, Munoz said.
Yesterday, Kent Brownridge—the former Wenner Media executive who, along with Quadrangle Partners, formed Alpha Media last year after acquiring Dennis Publishing’s U.S. assets (Maxim, Stuff and Blender, though not The Week) for $240 million—announced he was stepping down as CEO. The company named a pair of co-CEOs to take his place, with Brownridge retaining the title of chairman.This was a curious move, because Brownridge, a notorious workaholic, became known for his hands-on management style at Wenner Media, where he spent 21 years as Jann Wenner’s consigliore. And despite the curious timing—both Blender and Maxim, like most consumer titles, have struggled to sell ads in 2008—it appears that Brownridge’s departure is truly a case of a 68-year-old publishing executive wanting to spend more time away from the office, cut the 100-hour workweeks in half and, perhaps for the first time in his career, take a “summer Friday” or two.“I have a new wife who’s not liking this very much. And while my health is very good, I want it to stay that way,” Brownridge told Portfolio. “I plan to get home at six instead of 10. Also, we have summer Fridays here, so I might even do that.” Brownridge sounded more confident that he would, in fact, take them when he spoke to WWD: “I’m going to take summer Fridays, not go into the office every day, and I’m not going to stay past 5 p.m.” He admitted that his post-Wenner “retirement” didn’t work, which is why he plans to be an “active” chairman while spending less time fielding a “steady flow of e-mails at all hours to [his] BlackBerry.” The sources I spoke with yesterday seemed to buy Brownridge’s version, and refuted the notion that there was pressure from Quadrangle to move Brownridge out, although that’s always a possibility.For now, though, he can rest his BlackBerry thumb, and take that summer Friday.
CREDIT: Courtesy of Ematic The ports of Ematic’s Android TV streamer, as shown in the manual included in the company’s FCC filing.Photos of the remote control included in the filing feature a Netflix button, suggesting that the streaming service will be available at launch. In the past, some Android TV streamers had difficulties securing support from Netflix and other services. In addition to native Android TV apps, the device will also support media playback via Chromecast. Ematic, a Shanghai- and Los Angeles-based company best known for making low-cost Android and Windows tablets, is getting ready to launch its very own Android TV streaming box. The box, which will apparently be called “Jetstream,” made an appearance in a FCC filing Friday.According to the filing, the Jetstream device will run Google’s Android TV operating system, with access to the Google Assistant via an included Bluetooth voice remote. The streamer features 2 USB ports, an SD card slot, an Ethernet port, HDMI out as well as AV out to connect to TVs, and also digital audio out. The device isn’t officially listed on Ematic’s website yet, and the company didn’t immediately respond to a request for comment on its plans for a launch date and pricing. However, the company’s website already features a mockup photo of the device, suggesting that a launch could be imminent. Popular on Variety A mock-up of the streaming device, as shown on the Ematic website.Ematic has done some white-label devices for other companies in the past, and for instance built the hardware for the PBS Kids streaming stick. This still-unannounced Android TV device clearly features the company’s logo, suggesting that it will be sold under the Ematic brand. Ematic’s tablets are currently being sold at Walmart and Best Buy, among other retailers.Google first introduced Android TV in 2014, and has seen some traction with both TV manufacturers and TV service operators. Google and its partners have had less success with streaming boxes running Android TV, with most consumers opting to buy competing hardware from Amazon, Roku or Apple instead.However, the search giant clearly hasn’t given up on Android TV. The company introduced a new dedicated device for Android TV developers in May, and Android TV director of engineering Sascha Prueter told Variety at the time that the Android TV user base was doubling every year. CREDIT: Courtesy of Ematic ×Actors Reveal Their Favorite Disney PrincessesSeveral actors, like Daisy Ridley, Awkwafina, Jeff Goldblum and Gina Rodriguez, reveal their favorite Disney princesses. Rapunzel, Mulan, Ariel,Tiana, Sleeping Beauty and Jasmine all got some love from the Disney stars.More VideosVolume 0%Press shift question mark to access a list of keyboard shortcutsKeyboard Shortcutsplay/pauseincrease volumedecrease volumeseek forwardsseek backwardstoggle captionstoggle fullscreenmute/unmuteseek to %SPACE↑↓→←cfm0-9Next UpJennifer Lopez Shares How She Became a Mogul04:350.5x1x1.25×1.5x2xLive00:0002:1502:15
Popular on Variety Noah Schnapp of “Stranger Things” fame has joined the voice cast of “Wolves in the Walls,” an animated VR series based on Neil Gaiman’s children’s book by the same title. Schnapp will be voicing the brother of Lucy, the main character of “Wolves,” in the second chapter of the series, which is scheduled to premiere in April. “We believe that Noah Schnapp brings a special quality to the brother role,” said “Wolves” director Pete Billington. “As soon as he read his first line, we were smitten. We love him in ‘Stranger Things’ and can’t wait for audiences to hear his performance in ‘Wolves in the Walls.’” Fable, the immersive entertainment company behind “Wolves in the Walls,” shared the casting news exclusively with Variety ahead of Sundance. The company is also using the film festival to announce a new focus on what it calls virtual beings — characters that are powered by artificial intelligence and can respond to and interact with their audience. CREDIT: Courtesy of Fable ×Actors Reveal Their Favorite Disney PrincessesSeveral actors, like Daisy Ridley, Awkwafina, Jeff Goldblum and Gina Rodriguez, reveal their favorite Disney princesses. Rapunzel, Mulan, Ariel,Tiana, Sleeping Beauty and Jasmine all got some love from the Disney stars.More VideosVolume 0%Press shift question mark to access a list of keyboard shortcutsKeyboard Shortcutsplay/pauseincrease volumedecrease volumeseek forwardsseek backwardstoggle captionstoggle fullscreenmute/unmuteseek to %SPACE↑↓→←cfm0-9Next UpJennifer Lopez Shares How She Became a Mogul04:350.5x1x1.25×1.5x2xLive00:0002:1502:15 Fable plans to premiere “Whispers in the Night” this coming summer, when the company is also going to hold a virtual beings conference in San Francisco. But even with that new focus on virtual beings, Fable plans to continue to work on “Wolves in the Walls,” which the company wants to release to consumers once it has finished all 3 parts, likely in 2020.This week, Saatchi, Billington and Shamash argued that virtual beings powered by artificial intelligence can ultimately make such VR stories more meaningful, even if they may exist on multiple screens. Most consumers would not watch VR movies for longer than a couple of minutes, said Saatchi.However, smart displays and phones might provide an opportunity to interact with virtual characters far more often, and for longer periods of time — which could ultimately lead to characters inviting viewers to join them in VR again. “I don’t think it cannibalizes VR at all,” he said.And some of that artificial intelligence-based interactivity may even find its way back into “Wolves in the Walls,” suggested Shamash: “‘Wolves’ will be this living, breathing thing.” CREDIT: Courtesy of Fable “We are changing the make-up of our team radically to add machine learning folks,” said Fable co-founder and executive producer Edward Saatchi.Fable’s first foray into this new area of interactive story-telling with virtual beings is called “Whispers in the Night,” which is a kind of spin-off of “Wolves in the Walls.” In the piece, viewers get to interact with Lucy, the main character of “Wolves in the Walls,” and even have conversations with her. “‘Whispers is a natural language processing project where you can talk to a character,” said Saatchi.Much like “Wolves in the Walls,” “Whispers in the Night” is also a VR experience, but Saatchi said that the company was working on quickly bringing the character to other mediums as well, including smart displays like Facebook’s Portal and Amazon’s Echo Show.Fable wants to tie those different types of screens together by making Lucy a character that is not only able to respond to her audience, but actually remember things. “With ‘Whispers,’ we are exploring this idea of memory,” said the piece’s creative director Jessica Shamash. “She doesn’t reset and forget everything,” added Billington. And by remembering things that people tell her, Lucy is going to personalize the experience for each and every viewer.